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Projected Fears: Horror Films and American Culture, by Kendall R. Phillips
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Movie audiences seem drawn, almost compelled, toward tales of the horrific and the repulsive. Partly because horror continues to evolve radically―every time the genre is deemed dead, it seems to come up with another twist―it has been one of the most often-dissected genres. Here, author Kendall Phillips selects ten of the most popular and influential horror films―including Dracula, Night of the Living Dead, Halloween, The Silence of the Lambs, and Scream, each of which has become a film landmark and spawned countless imitators, and all having implications that transcend their cinematic influence and achievement. By tracing the production history, contemporary audience response, and lasting cultural influence of each picture, Phillips offers a unique new approach to thinking about the popular attraction to horror films, and the ways in which they reflect both cultural and individual fears. Though stylistically and thematically very different, all of these movies have scared millions of eager moviegoers. This book tries to figure out why.
- Sales Rank: #346845 in Books
- Published on: 2005-04-30
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .55" w x 6.13" l, .85 pounds
- Binding: Paperback
- 240 pages
Review
"The book is sensible, highly readable, and concise….[t]his book will best serve as an introduction to the horror genre. Recommended. Lower-/upper-division undergraduates; general readers." - Choice
"[E]xplores the relationship between 10 classic horror films and the cultures they reflect." - US States News
"Phillips analyzes ten landmark horror films, including Dracula, The Texas Chainsaw Massacre, The Silence of the Lambs and The Sixth Sense, to discover the ways horror films reflect their cultural contexts and the audiences' fears. In addition to his analyses, Phillips provides a synopsis of each film and describes its production history, contemporary audience response and cultural influence. Although Phillips incorporates the work of other film and cultural critics, he writes for a general audience." - Reference & Research Book News
"Fans of horror and horror movies who wish an intellectual examination of links between horror films and American culture will find professor Kendall R. Phillips' Projected Fears: Horror Films and American Culture to be most intriguing." - MBR Bookwatch
Review
"Kendall Phillips explores the cultural resonances and rhetorical form of American horror films of the 20th century. He takes us from Dracula (1931) through Psycho (1960), The Exorcist (1973), The Silence of the Lambs (1991), and other films that have shocked and horrified us, in a lucid account of the cultural contexts that gave them birth and influenced their reception. His lively and wide ranging account will certainly send readers back to the films for another look." (Thomas W. Benson, Edwin Erle Sparks Professor of Rhetoric, Penn State University)
"Phillips has provided deep and probing insights into the relationship between ten classic horror films and the cultures they reflect. This is a challenging but rewarding read for serious fans, film buffs, and filmmakers, as well as scholars. Even the writers and directors of these classics stand to be enlightened by learning of the impact, scope, and significance of their realized concepts." (A. John Graves, Professor Emeritus of Mass Communication, Central Missouri State University)
"Projected Fears goes well beyond being exemplary film and media criticism. Kendall Phillips provides an intriguing and cogent synthesis of visual, textual, and cultural analyses that present a unique, useful, and welcomed reframing, retelling, and reinterpretation of human history and memory through the lens of one of our most important and popular forms of artistic expression--not to mention a genre that has long been a focus of public fascination--the horror film." (Charlton McIlwain, Assistant Professor of Culture & Communication, New York University, and author of When Death Goes Pop: Death, Media & the Remaking of Community)
About the Author
Kendall R. Phillips is Associate Professor in the Department of Communication and Rhetorical Studies at Syracuse University. His essays and reviews have appeared in such journals as Literature/Film Quartlery and Philosophy and Rhetoric.
Most helpful customer reviews
6 of 7 people found the following review helpful.
Excellent Text Fleshes Out Horror
By C. G. Baker
I bought this book to augment my research for a film course I took. This book affords a concise, in-depth examination of the horror film genre and aims to identify its relevance in a historical context, psychological context, and social context. Horror films were long denied by critics as a substantial and intellectual genre worthy of scholarly research, but Kendall R. Phillips proves that they couldn't be more wrong. The films discussed in the text follow a chronological sequence, dating back to the 1920s with The Phantom of the Opera, and goes all the way up to the 90s with Scream.
Excellent book for anyone interested in horror films, film history, or with an appreciation for the much broader history of American culture.
2 of 2 people found the following review helpful.
Using this for a course I'm teaching on horror films
By Erin Siodmak
I've used parts of this book for a course on sex, gender, race and horror films. It's not specifically about those areas, but provides useful analysis and contextualization for the films discussed. It's a great book for someone who's new to thinking politically/sociologically about horror films, and great for a course that is getting students to think about films in different ways. The analysis is not overly complex or jargon-heavy, nor does it require extensive knowledge of other film theory.
The subsections of the chapters (which varies depending on the film) are clear and helpful: Politics/Nationalism; Economic Conditions; Cultural Knowledge; Sexual Norms; Family Home; Violation, and more.
I recommend this book for horror fans, folks new to thinking about film in socio-cultural and historical ways, and students/teachers who want to augment a course.
0 of 0 people found the following review helpful.
Excellent book for scholars, students, and anyone else interested in American horror films
By Ella Phelps
I assigned this book for my Rhetoric of American Horror Films class and the students loved it. It's engaging and intelligent without relying too much on jargon or assuming a lot of film/rhetorical theory knowledge, so it's great for the casual or serious horror film enthusiast as well. The introduction is one of the best explanations of the importance of studying popular culture that I've read and each chapter carefully explores the selected horror films as there production and reception related to the cultural contexts that resonated with audiences and filmmakers and the time of each film's release. Moreover, the book artfully traces the history of horror film by linking each chapter/film/time period to those that came before it.
A must-read for anyone interested in the significance of popular culture/horror films to our individual and national identities.
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